We hope you’ll enjoy starting the journey with us soon. (They listened intently and took notes.) He put everything ahead of his own well-being, Sara says, with “a generosity of time that we don’t know in North America.”Our reporters’ work will take you to the Arctic, the Caribbean, Europe, and South Asia. They saw the power in his seemingly modest steps: helping random young people on the street, explaining green hydrogen to a group of kids in a poor neighborhood. Deon showed Sara and Melanie the one-room home he shares with his mother. He’s going somewhere big, but it’s not linear, in his outlook.”Trust grew. It’s a metaphor for his work: It’s the long game.
Sara’s first interview with Deon sprawled, leaving her with doubts.“Then, the next day,” she says, “I listened to my recording and realized he was teaching me a lesson – that you can’t get all the answers at once or get everything right away. They often don’t tell their stories the way an American reporter may anticipate – which can demand extraordinary patience to allow a story to emerge.That’s what happened in Namibia.
Boston underpass art cut down on crime series#
Sara and photographer Melanie Stetson Freeman had interviewed him only weeks earlier in Namibia, and we were all excited about the recognition of someone who tenaciously, without immediate reward, chips away at barriers to progress.Sara, Melanie, writer Stephanie Hanes, photographer Alfredo Sosa, and senior editor Clara Germani are preparing a global series – launching in November – about the generation born into the climate crisis and now driving transformation, innovation, and progress.In this season of climate conferences, it’s powerful to hear about the work of young people effecting change in extraordinarily diverse ways. Hood also has taught at the Harvard University Graduate School of Design.“Look at Deon on the stage (far right of screen)!”In an emoji-and-exclamation-point-laden exchange among Monitor colleagues last week, correspondent Sara Miller Llana shared the image of young Namibian delegate Deon Shekuza on center stage at the Africa Climate Summit in Nairobi, Kenya. He just began an appointment as chair of the Department of Landscape Architecture and Environmental Planning at the University of California, Berkeley, which he first joined as a professor in 1993. One question that animates every Hood project is: “How can we leave room for new information to enter the conversation?” Hood has leveraged his training and talent to create public art and architecture that discovers unique connections, poses courageous questions and brings communities together. He is the author of the 2020 book “Black Landscapes Matter,” co-authored with Grace Mitchell Tada.
Boston underpass art cut down on crime how to#
Discovering my voice made it possible to hear other voices and to explore how to creatively surface their histories in the places they live,” Hood says. “ I could have just accepted the privileged position of a designer, but what was missing was myself. Īcknowledging the importance of Black history was an important catalyst in Hood’s career. He has received prestigious awards and honors, including a MacArthur Fellowship, a Knight Foundation Public Spaces Fellowship, the Dorothy and Lillian Gish Prize, the Academy of Arts and Letters Architecture Award and induction into the American Academy of Arts and Sciences. His work sheds new light on overlooked history, bringing people together through shared understanding to inspire a better future. The studio will bring similar imagination and insight to the design process at Emory - beginning, as is their custom, by establishing a deep historical, social and ecological understanding of the sites.Ī native of Charlotte, North Carolina, Walter Hood has excelled - throughout his career - at creating spaces that teach, challenge and unite.
A video made during Hood’s time as a MacArthur Fellow in 2019 chronicles this work. Under the leadership of creative director and founder Walter Hood, Hood Design Studio has created transcendent installations across the country since 1992, including the landscape architecture for the recently opened International African American Museum in Charleston, South Carolina. These Twin Memorials will create space for contemplation and learning for students, staff, faculty and community members. In 2021, Emory University announced plans to develop memorials on its Atlanta and Oxford campuses to honor the enslaved individuals who are part of Emory’s history.
After years of engagement with the Emory community, the Twin Memorials project will be brought to life by Hood Design Studio and its team of scholars and creatives.
0 kommentar(er)
